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Hidden Face of Horus
RU
Kaan Ran Özsoy claimed in many of his articles that the idea which created the egyptian mythology has renewed itself as adapting the cultural changes in time. The target is to continue to the administration with the new civilizations which create the hope or excitement. While the aforementioned work’s origin form emphasizes Horus’s eye proudly that he got it lost during the war, different three characters were assigned to a single portrait.
Leonardo Da Vinci’s golden rule of symmetry technique is an old technique which provides that the sub story or the characters reveal as a mirror is put onto the middle of an image. This technique was strikingly used in Horus’s Hidden Face.

 
On the aforementioned work, while Grey Alien’s form and body that she is the second hidden character reveal perfectly, the pyramid which occurred from a light on its middle had a connection with the egyptian civilizations at the sub text level. Furthermore, this character which is effective on the population culture exactly consists of darkness, it gives the impression of an extraterrestial existence with the light that it takes from the back side.

The great owl which is the third and last character is the great owl which is the symbol of Bohemian cult that is one of the most effective cults today. Although the mirror which is used on the image is on the portrait’s middle as the previous one, it is a very stupendous character rather than the others. Similarly, while Horus’s cloth turns into the cult’s robe, and the owl’s eyes start to consist of the darkness as it is assumed. Some people think that this study has the traces of reptile, the most pleasant aspect in it is that it hosts the rearward pyramid’s three characters.
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